"Coming from a background in visual arts, I have spent years honing my skills in the technique of collage. Today, as a performance maker, I continue to utilize this technique, albeit in a different medium. Instead of creating compositions on paper, I now craft them in space. In this context, I employ choreography as an immersive method of collage-making. Each of my solo performances can be viewed as standalone pieces, yet when combined, they form a cohesive whole. I arrange these solos in space and time as if they were "cut-outs", reimagining them as fragments of a larger composition. Each piece contributes to a coherent whole, both in terms of concept and aesthetic." ​
​—Anna Ádám

Elrabolom a szíved, és azért fogsz visszajönni, mert nálam van
​DUET

​Premier: 2024
Kb. 50 perc szünet nélkül
​Némelyik szöveg explicit erotikus tartalma miatt az előadás korhatára: 18+
​
Koncepció, Lecture-performance: Ádám Anna
Szövegkönyv: Ádám Anna & Majoros Nikoletta
Szerkesztette: Ádám Anna
Élő zene: Kertész Endre (cselló)
Produkció: Gray Box

"Egy év szerelmes versein és szakító levelein keresztül tekinthetünk bele egy szenvedélyes kapcsolat keserédes dinamikájába, melynek eleme a víz, - az érzelem, a vágy, az indulat, a hév, ami hullámzik, nyomást gyakorol, és a legkisebb résen is beszivárog, majd mindent kitölt, mindent elemi erővel eláraszt -, és a tűz, ami hatalmas lánggal begyullad, először felmelegít, aztán élve, lassú tűzön szénné éget."

Ádám Anna (1983):
Alkotóművész, koreográfus, a Gray Box társulat és a School of Disobedience / Engedetlenség Leányiskolája megálmodója, alapítója. Tíz évet foglalkozott képalkotással muzeális térben, egy másik tizet mozgással és performansszal színházban. Utóbbi időben írással, szavakkal, beszéddel kísérletezik. Ez az első szöveges előadása.

Majoros Nikoletta (1976):
Kortárs költőnő, sellő. Vízben érez, szárazon túlél. Autodidakta. Érzékeny munkáit kizárólag a Női Írókör oldalán publikálja. Se kiadványai, se web oldala, se profilja. Majoretta kifürkészhetetlen és szabad. Akárcsak költészete.

right for fight
duet

​Premiere: Art Cologne, Cologne, Germany, 17.11.2021
Appx. 40 min (Performance: 20 min + Talk & Movement sharing: 20 min)
Concept, choreography: Anna ADAM
Performance: Anna ADAM - Eva MORA
Production & Distribution: Gray Box
​Support & Residency: Klara i Rosa (SRB), Le BAMP (B), Newcastle Dance Theatre (GB), Műhely Alapítvány / Workshop Foundation (HU), MoveIn Studio (HU)​, Institut Français de Saint-Louis (Senegal), Dekandoo Residency (Senegal)

From love to indifference, blindness to enlightenment, idealization to disillusionment, harmony to discord, and freedom to confinement, our duet explores the intricate dynamics of relationships. We grapple with the desire to part ways yet yearn for forgiveness, to embrace solitude while seeking companionship, to establish boundaries only to surpass them, and to simultaneously express "yes," "no," and "maybe." 

Rich in contradictions, conflicting emotions, and ambivalent responses, our performance depicts love as a universal combat sport, devoid of protective gear. Anna Adam and Eva Mora, two vulnerable fighters, continuously renegotiate rules, navigate power dynamics, and engage in both cooperation and conflict. Amidst doubts and convictions, tensions and tenderness, stability and imbalance, they expose themselves fully, depleting their bodies, hearts, and minds in pursuit of integrity, dignity, and freedom.

​Who is the boss?
solo

Premiere: A4, Bratislava, Slovakia, 19.06.2021
Appx. 30 min
Performance: Kiss Rebeka Petra / Visual, space installation and costumes: Anna Ádám / Production Managers: Jean François Bouillon, Gray Box / Concept, choreography and direction by Ádám Anna / Partners, Supported by: NKA Imre Zoltán Program, NKA Képzőművészeti Kollégium, ARTU - Direction Régionale des Affaires Culturelles Hauts-de-France (DRAC Hauts-de-France, FR) & Université d’Artois (FR), Abbaye de Maubuisson (FR), Dansarium (FR), ZFinMalta (MT), Mediterranean Dance Center (HR), MoveIn Stúdió, SÍN Művészeti Központ, A4 - Space for Contemporary Culture(SK), iPortunus (EU) - SometimeStudio (FR), Visegrad Fund - Performing Arts Residency / Photos © Zellei Boglárka, 2021.

In the dance solo "Who is the boss?" Petra Kiss Rebeka grapples with frustration, fear, and anxiety as she confronts the systems of domination, oppression, and exploitation that affect both women and nature. Rather than losing patience, she finds herself challenged to maintain self-control in her struggle for emancipation and empowerment. With each step, she grows more courageous, mature, and resilient, determined to break free from her limitations and take control of her own destiny. Yet, the question lingers: will she succeed in her quest for a better future, or is her journey destined to remain a utopian dream amidst a dystopian reality?

MÖBIUS
SOLO

Premiere: A4, Bratislava, Slovakia, 19.06.2021
Appx. 30 min
Performance by: Eva Mora / ​Music: Komjáthy Boldizsár / Visual, space installation and costume: Anna Ádám / Production Managers: Jean François Bouillon, Gray Box / Concept, choreography and direction by Ádám Anna / Partners, Supported by: NKA Imre Zoltán Program, NKA Képzőművészeti Kollégium, ARTU - Direction Régionale des Affaires Culturelles Hauts-de-France (DRAC Hauts-de-France, FR) & Université d’Artois (FR), Abbaye de Maubuisson (FR), Dansarium (FR), ZFinMalta (MT), Mediterranean Dance Center (HR), MoveIn Stúdió, SÍN Művészeti Központ, A4 - Space for Contemporary Culture(SK), iPortunus (EU) - SometimeStudio (FR), Visegrad Fund - Performing Arts Residency / Photos © Zellei Boglárka, 2021.

In the solo dance performance "Möbius," Eva Mora finds herself trapped in a relentless cycle of climate change from a female perspective with no horizon, no perspective, and no escape. Despite her persistent efforts to break free and push against the confines, she remains ensnared by the manipulative forces of the system. Each attempt to rise is met with further entrapment, leaving her exhausted and disillusioned.

CRISIS BEFORE CRISIS
solo

Premiere: A4, Bratislava, Slovakia, 19.06.2021
Appx. 30 min
Performance: Júlia Gaál / ​Music: Komjáthy Boldizsár / Visuals, space installation and costume: Ádám Anna / Production Managers: Jean François Bouillon, Gray Box / Concept, choreography and direction by Ádám Anna / Partners, Supported by: NKA Imre Zoltán Program, NKA Képzőművészeti Kollégium, ARTU - Direction Régionale des Affaires Culturelles Hauts-de-France (DRAC Hauts-de-France, FR) & Université d’Artois (FR), Abbaye de Maubuisson (FR), Dansarium (FR), ZFinMalta (MT), Mediterranean Dance Center (HR), MoveIn Stúdió, SÍN Művészeti Központ, A4 - Space for Contemporary Culture(SK), iPortunus (EU) - SometimeStudio (FR), Visegrad Fund - Performing Arts Residency / Photos © Zellei Boglárka, 2021.

Who guides whom, and who controls whom? Is the media, often regarded as the fourth branch of power, alongside other branches or by whose standards, truly a force that liberates or confines us? Does it empower or weaken us, foster independence or dependence? Does it provide clarity or obscure our vision, do us good or drive us to madness?

In the first half of "CRISIS BEFORE CRISIS," Júlia Gaál grapples with these questions while blinded by light, seeking truth amidst a flood of information. As she confronts the tension between her beliefs and doubts, she descends into a vortex that threatens to swallow her whole, leaving her groundless. A central motif of the performance is the recurring cycle of fatigue and insanity, reflecting the repetitive nature of our decisions and history. The second half shifts focus to a smaller scale, as the choreography evolves into a dance of hands and fingers. Here, the performance transcends present space and time, aiming to construct a new reality. The dancer symbolically creates a microcosm, reminiscent of both a mass grave and a family memorial, using mud, clay, and vernacular photographs. In doing so, she gestures towards the possibility of rebirth and reconstruction, ushering in a new world while honoring the past.

​SORRY NOT SORRY: Second BOOK
TRIO

Premiere: ISBN Books+Gallery, Budapest, Hungary, 02.10.2021
Appx. 40 min
Concept, creation, direction and visual by: Anna Ádám
Performed by: Rebeka Petra Kiss, Júlia Gaál, Eva Mora
Music: Boldizsár Komjáthy
Light: Mátyás Major
Production Manager: Jean François Bouillon / Gray Box
Partners, Supported by: Budapest Autumn Festival, Budapest Ballet Academy, Budapest Brand, Budapest VIII. district, Józsefváros Community Nonprofit Zrt, SÍN Cultural Centre, Workshop Foundation
Photos © Zellei Boglárka, 2021.

"Sorry Not Sorry: Second Book" is a powerful performance that boldly confronts the societal taboos and stigmas surrounding female pleasure. Serving as a sequel to the acclaimed "Sorry Not Sorry: First Book," which premiered in 2018, this performance delves deeper into the complexities of women's intimate experiences.

In "Sorry Not Sorry: Second Book," three women grapple with the enduring influence of puritanical attitudes and Judeo-Christian morality on cultural perceptions of intimacy. For centuries, these moral frameworks have sought to dictate what is deemed moral or immoral, natural or unnatural, and acceptable or sinful in personal connections.

This performance serves as an homage to the clitoris, a symbol of female pleasure, and a testament to the empowerment and liberation of women's desires, bodies, and intimate connections. It celebrates the visibility of women's experiences and challenges societal norms with a candid and unapologetic approach.

UTOPIA/DYSTOPIA
TRIO

Premiere: National Dance Theater, dance performance, Budapest, Hungary, 17.07.2021
Appx. 40 min
Co-created and performed by: "CRISIS BEFORE CRISIS": Gaál Júlia / "Möbius": Eva Mora / "Who is the boss?": Kiss Rebeka Petra /
​Music: Komjáthy Boldizsár / Music Consultant: Doriane Balin / Lighting: Juraj Čech / Visuals, space installation and costumes: Ádám Anna / Dramaturgy: Sally O’Neill / Mentor and Professional Consultant: Lőrinc Katalin / Production Managers: Jean François Bouillon, Gray Box / Assistant: Fejős Adrienn / Concept, creation and direction by Ádám Anna / Partners, Supported by: NKA Imre Zoltán Program, NKA Képzőművészeti Kollégium, ARTU - Direction Régionale des Affaires Culturelles Hauts-de-France (DRAC Hauts-de-France, FR) & Université d’Artois (FR), Abbaye de Maubuisson (FR), Dansarium (FR), ZFinMalta (MT), Mediterranean Dance Center (HR), MoveIn Stúdió, SÍN Művészeti Központ, A4 - Space for Contemporary Culture(SK), iPortunus (EU) - SometimeStudio (FR), Visegrad Fund - Performing Arts Residency / Photos © Zellei Boglárka, 2021.

UTOPIA/DYSTOPIA presents a captivating blend of hope and foreboding, offering a glimpse into a world where dreams collide with impending catastrophe. Set within an immersive environment, the performance unfolds through three distinct solos, each exploring the psychological impact of climate change on the most vulnerable members of society – the youth.

In the face of an uncertain future shaped by forces beyond their control, today's youth grapple with feelings of isolation, despair, and existential dread. Amidst this turmoil, an ecofeminist discourse emerges, highlighting the interconnectedness of ecological degradation and patriarchal structures that perpetuate exploitation and inequality.

Despite bearing the weight of this burden, they also hold the potential to lead the charge in combating climate change. Through their resilience and determination, they embody a beacon of hope amidst the encroaching darkness.

Drawing on themes of resilience, empowerment, and reverence for the natural world, the three dancers channel their energy into a defiant celebration of life. Their movements pulse with vitality and purpose, serving as a testament to the enduring spirit of humanity and our intrinsic connection to the earth.

HOT PAPER LIVE LOVE
LIVE STREAMED VIDEO PERFORMANCE

Premiere: Divadlo X10, Online live performance, Prague, Czech Republic, 18.05.2020
Appx. 30 min
Concept, choreography, visual, performance: Anna Ádám / Supporters: Divadlo X10 / Production: Gray Box

HOT PAPER LIVE LOVE is a revolutionary online performance that boldly challenges traditional representations of intimacy and desire. Through our feminist lens, we present a new iconography of s.e.xual representation that celebrates diversity, consent, and agency.

In this groundbreaking presentation, we reject the traditional gaze of p.o.r.n. o.g.r.a.p.h.y that reduces bodies to mere objects of desire. Instead, we reclaim sensuality as a form of empowerment, where touch and intimacy are celebrated as expressions of authentic connection.

Our choreography of fingers and hands moving across paper, silk, and lace embodies a radical shift away from the male-dominated narratives of conventional p.o.r.n. o.g.r.a.p.h.y. Here, intimacy is not about domination or submission but about mutual respect and pleasure. The performance offers a space where bodies are not confined to narrow beauty standards but are celebrated in all their diverse forms. We challenge the notion that s.e.xual expression must conform to societal expectations, embracing instead the beauty of individuality and self-expression.

This performance is imbued with tenderness, softness, and kindness, offering a stark contrast to the often aggressive and dehumanizing portrayals found in traditional p.o.r.n. o.g.r.a.p.h.y. Through gentle caresses and acts of care, we reveal what is not shown in mainstream representations— the true essence of human connection and intimacy. Join us in our rebellion against oppressive structures. Together, let us create a new vision of sensuality—one that is inclusive, empowering, and free from constraints.

CLASH
SOLO

Premiere: E-Werk Kulturzentrum, Erlangen, Germany, 19.06.2019
Appx. 30 min
Concept, choreography, visual: Anna Ádám / Performance: Gaál Júlia / Music: Boldizsár Komjáthy / Lights: Mátyás Major / Supporters: MoveIn Studio, NKA Imre Zoltán Program, SIN Arts Centre / Production: Gray Box / Photos © Mátyás Gyuricza-PINCE, 2019.  / Video © Bori Takács, 2024.

I am torn between desire and restraint, caught in a tug-of-war between what I want and what I know I shouldn't pursue. It's like dancing on the edge of a dream, tantalizing yet dangerous. This performance delves into the intimate struggle with societal norms, navigating the complex intersections of religious, cultural, moral and family expectations. It's a journey we embark upon reluctantly, grappling with the deeply ingrained rules that govern our lives. Despite our yearning to break free, to defy convention and forge our own path, we find ourselves ensnared by these systems, unable or perhaps unwilling to break away. CLASH embodies this inner conflict, a duet between reason and emotion, where instinct urges us to embrace our desires while self-control wages a fierce battle. It's an exploration of the tension between indulgence and restraint, a reflection on the dichotomy of human nature.

Vágyom rá, de nem kéne. Úgy érzem, szeretném, de nem jó ötlet. Akarom, de tudom, hogy nem lenne szabad... és mégis megteszem. Vagy mégsem?
Előadás egy személyes harcról, amit társadalmi normákkal és elvárásokkal vívunk, vallási, kulturális, erkölcsi és családi örökségünkkel. Egy út, amin végigmegyünk, bár legszívesebben letérnénk róla. Közben rendszerekkel vívódunk, melyeknek belénk verték a szabályait és érezzük, hogy mennénk, szeretnénk szabadulni, szembemenni, változtatni, máshogy csinálni, de nem megy, vagy csak nem merünk? Duett a racionális és az érzelmi oldalunk között. Amikor az ösztön felkéri táncra vagy kihívja párbajra az önuralmat. A CLASH megtestesíti önmagát és saját maga ellentétét is: óda az elemi vágyhoz és siratóének a lemondáshoz egyszerre.

SECRET GARDEN
SOLO

Premiere: Otthon Project, Budapest, 2019
Adaptable length: 15-30 min
Concept, direction, setting, costumes: Anna Ádám / Choreography: Anna Ádám, Rebeka Petra Kiss / Performance: Rebeka Petra Kiss / Music, Sound: Boldizsár Komjáthy / Supporters: Hungarian University of Fine Arts, L1 Association, MU Theater, National Cultural Fund of Hungary Imre Zoltán Program, OFF-Biennale Budapest, Otthon Project, SIN Cultural Center, Summa Artium / Photos © Oliver Sin, Csaba Meszaros, 2019.

Embark on a captivating exploration of sin and its reverberations in "Secret Garden." This evocative performance delves deep into the intricate tapestry of consequences and emotions surrounding transgression, as the dancer grapples with themes of punishment, conscience, guilt, and absolution.

"Secret Garden" delves into the multifaceted nature of guilt, examining its varied forms, depths, and pathways to redemption. Follow the dancer's poignant journey as she confronts the origins of shame and traverses through the nuanced phases of regret, each step a profound exploration of the female experience.

In the face of societal norms and expectations, the dancer courageously confronts her actions, partaking in a moving ritual of confession and penance. Seeking purification and renewal, she immerses herself in the transformative power of water and flowers, cleansing herself of the stains of sin.

Join us for an immersive experience of self-discovery and introspection, where the eloquence of movement sheds light on the complexities of morality, forgiveness, and the resilience of the human spirit in "Secret Garden."

sorry not sorry: First Book
TRIO

Premiere: MU Theater, Budapest, HU, Oct – 2018 ​
Appx. 30-45 min
Concept, direction, scenography: Anna Ádám, Gray Box / Choreography: Anna Ádám, Gergő Farkas, Attila Horváth, Rebeka Petra Kiss, Levente Lukacs, Réka Rácz / Performance: Gergő Farkas - Réka Rácz, Rebeka Petra Kiss, Levente Lukács - Attila Horváth / Music, Sound: Boldizsár Komjáthy / Light design: Mátyás Major / Assistant director : Endre Cserna / Mentor: Adrienn Hód / Production: Krisztina Soltesz / Supporters: L1 Association, MU Theater, National Cultural Fund of Hungary Imre Zoltán Program, SIN Cultural Center / Photos © Oli Lassmann, 2019

Through three dance solos performed simultaneously, "Sorry Not Sorry: First Book" delves into the enduring impact of Biblical teachings on homosexuality within contemporary Hungarian society. Against a backdrop of mainstream homophobic political discourse, rooted in the country's Christian religious tradition, the performance seeks to unpack and challenge these prevailing attitudes.

Set within the metaphorical framework of a garden reminiscent of Biblical imagery, the three solos—'Forbidden Garden,' 'Interior Garden,' and 'Secret Garden'—unfold in tandem, each exploring different facets of the human experience.

In 'Forbidden Garden,' the focus is on hesitation and doubt, as individuals grapple with strong desires but struggle to translate them into action. Meanwhile, 'Interior Garden' delves into the moment when passion overtakes reason, characterized by a dynamic and wild choreographic language. Finally, 'Secret Garden' delves into themes of conscience and guilt, examining the aftermath of choosing desire over reason and the emotional repercussions that follow.

As these three solos unfold simultaneously, they intersect, diverge, and intertwine, creating a nuanced and multifaceted exploration of desire, identity, and societal expectations.

Picnic in Eden
​4 performers, 2 live musicians

Premiere: AQB Sound Studio, Budapest, HU, May – 2018
Appx. 30-60 min
Concept, direction, creation, scenography, installation, scenery setting, objects, props: Ádám Anna / Curator: Maj Ajna / Dancers, Actor, Singer: Ádám: Lukács Levente, Ádám's boyfriend: Horváth Attila, Éva: Nagy Edi, Snake: Záhonyi-Ábel Vanessza (DancehallQueen Vanessa Diamond), Lilith: Gunther Dóra / Installation-setting: Ádám Anna / Sound, Music: Cserne Kata, Dányi Dániel / Costume, Styling, Makeup: Gray Box / Supporters: AQB Sound Studio, Küszöb Festival, MVM Group  / Photos © Oliver Sin, 2018.

Welcome to our reality show straight from paradise, where we blend elements of a soap opera romance, sweaty bodybuilding, and a liturgical karaoke party for an unforgettable experience. Join us as we embark on a journey with our evergreen Biblical superheroes, who come together to co-write an alternative Genesis story.

Set against the backdrop of the Garden of Eden, Instagram, Messenger, and a fictional fitness club, our characters navigate love, temptation, and self-discovery in this modern retelling of an ancient tale. From steamy romantic encounters to intense workout sessions, and from heartfelt confessions to spirited karaoke performances, our show promises drama, excitement, and plenty of surprises.

Tune in as our cast of characters grapple with the complexities of human nature, forging their own path in a world filled with temptation and desire. Will they succumb to temptation, or will they find redemption in the face of adversity? Join us on this epic adventure as we explore the timeless themes of love, sacrifice, and the pursuit of happiness in a world where anything is possible.